In 1924, the trade journal Talking Machine World, covering the phonography and record industry, reported that Eddie King, Victor Records' manager of the "New York artist and repertoire department," had planned a set of recordings in Los Angeles.
In the 1880s, the record industry began by simply having the artist perform at a phonograph. The record producers may also take on the role of executive producer, managing the budget, schedules, contracts, and negotiations. A producer may work on only one or two songs or on an artist's entire album, helping develop the album's overall vision. Then a mastering engineer further adjusts this recording for distribution on the chosen media. The producer often selects and collaborates with a mixing engineer, who focuses on the especially technological aspects of the recording process, namely, operating the electronic equipment and blending the raw, recorded tracks of the chosen performances, whether vocal or instrumental, into a ''mix,'' either stereo or surround sound. Other duties include, but are not limited to keeping budgets and schedules, adhering to deadlines, hiring musicians, singers, studios and engineers, overseeing other staffing needs and editing (Classical projects). The producer makes creative and aesthetic decisions that realize both the artist's and label's goals in the creation of musical content. He or she is present in the recording studio or at the location recording and works directly with the artist and engineer. The person who has overall creative and technical control of the entire recording project, and the individual recording sessions that are part of that project.
As to qualifying for a Grammy nomination, the Recording Academy defines a producer: Or a producer's role May Simply Be supervisory and advisory giving creative control to the artists themselves. The record producer's roles can include gathering ideas, composing music, choosing session musicians, proposing changes to song arrangements, coaching the performers, controlling sessions, supervising the audio mixing, and, in some cases, supervising the audio mastering. Īs a broad project, the creation of a music recording may be split across three specialists: the executive producer, who oversees business partnerships and financing, the vocal producer or vocal arranger, who aids vocal performance via expert critique and coaching of vocal technique, and the record producer or music producer, who, often called simply the producer, directs the overall creative process of recording the song in its final mix. In the 2010s, efforts began to increase the prevalence of producers and engineers who are women, heavily outnumbered by men and prominently accoladed only in classical music.
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By now, DAWs, or digital audio workstations, like Logic Pro and Pro Tools, turn an ordinary computer into a production console, whereby a solitary novice can become a skilled producer in a thrifty home studio. After the 1980s, production's move from analog to digital further expanded possibilities. In popular music, then, producers like George Martin, Phil Spector and Brian Eno led its evolution into its present use of elaborate techniques and unrealistic sounds, creating songs impossible to originate live. Īdvances in recording technology, especially the 1940s advent of tape recording-which Les Paul promptly innovated further to develop multitrack recording -and the 1950s rise of electronic instruments, turned record production into a specialty. Record producers' precursors were "A&R men", who likewise could blend entrepreneurial, creative, and technical roles, but often exercised scant creative influence, as record production still focused, into the 1950s, on simply improving the record's sonic match to the artists' own live performance. Some producers are their own engineers, operating the technology across the project: preproduction, recording, mixing, and mastering. Conversely, some artists do their own production.
Varying by project, the producer may or may not choose all of the artists, If employing only synthesized or sampled instrumentation, the producer may be the sole artist. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. The record producer, or simply the producer, is likened to film director and art director. Music executive, recording engineer, executive producer, film producer, A&RĪ record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.